Showing posts with label composition. Show all posts
Showing posts with label composition. Show all posts

Thursday, September 22, 2011

English Assignments: poetry


School is getting off to a good start!

We began the Tuesday after Labor Day (even though schools here start in early August, I'll never think that's a good idea; fortunately, homeschoolers have the flexibility to do it our own way!)

Rebekah, Melody, Eliza, and Joel are working through IEW's U.S. History-Based Writing Lessons this year. The two olders will work through Volume 1 and Volume 2, while the two little work through Volume 1.

The first lesson was about strong adjectives and used a poem as the model, sort of. I must say I wasn't really impressed with this assignment and the kids thought the model was lame (not their word). It purported to be a poem, but had no instructions about rhythm or rhyme (since the lesson wasn't about that, I understand, but I think choosing a real poem as a model would have been a better idea). I know poetry without rhyme and rhythm is considered acceptable, but I've always had a hard time seeing blank verse as real poetry. However, I thought that, since it's only one assignment and things should improve as we go through the book, I wouldn't make a big deal about it.

The two older kids' assignment was due today. Rebekah had the same idea that I did - simply get through it, but Joel added in rhythm and rhyme. Here are their creations:

America
by Rebekah
Land of sunny, shell-strewn seashores,
Dark, mossy forests of evergreens,
Majestic, snow-capped mountain ranges;
Broad, rushing, and lazy rivers travelling
Among rolling, golden plains.
America, a land populated by thriving,
Independent men and women whose
Lives are paving the way for generations.

America
By Joel
Sparkling and sunny seashores,
Sandy and with shells galore.

Forests leafy, mossy, dark,
Mountains majestic and stark.

Rivers rushing, rocky, broad,
Plains great, created by God.

Men who fought for freedom old
Men, courageous, free, and bold.

I'll post the little girls' poems tomorrow. They've been playing with rhyme and rhythm, too! I can't wait to see what they've come up with!

Monday, November 8, 2010

Composition

I've struggled for years in trying to teach the kids how to write. I've let the perfect become the enemy of the good enough.

This year, I enrolled my two oldest in Camille Golston's Lost Tools of Writing class through Memoria Press. My goals were two-fold. First, I wanted them to get the instruction that I just can't seem to give them. LTW is being worked on continually, by I didn't think I'd have time to figure it out for my two oldest. My second goal was to learn how to teach the program. I sit in each week (either with Judith or Benjamin) and take notes on both the content and Camille's teaching. I think this is going to be a huge help to me. I'd love to enroll in Andrew's apprenticeship program, but it's just not doable right now.

For the younger kids, I bit the bullet and bought a couple of Middle Ages themed writing programs. I'm tweaking them, but I must admit that I'm enjoying having things laid out for me. The kids are doing more writing and I can adjust the checklists and the 'rules' as we go; for example, instead of simply banning certain words, we discuss propriety in using them (I can't ban said - too many great writers use it too often to simply ban it and I've read too many modern novels that avoid it and they're just ridiculous).

Here's an example of nine-year old Eliza's latest efforts:

A certain fox requested a stork come and dine with him. The stork came and the fox, who was planning to play a practical joke on the stork, gave his guest soup, which was in a wide and shallow bowl. The fox enjoyed his meal, but the stork, who had an extended beak, left for home starved.

In return, the stork kindly invited the fox to dinner. The stork gave his visitor minced-meat, which he served in a tall jar with a narrow mouth. The stork had a pleasant meal and filled his stomach. But the fox, because of his short and big snout, could not fit his mouth into the jar. And the poor fox left for home on an empty stomach. As he drove home in his car, he confessed that he was given what he deserved.

Moral: Do unto others as you would have them do unto you.

SGD!

Monday, March 9, 2009

Rhetoric, Logic, Grammar Update

It took us a week and a half to parse and diagram our way through Portia's courtroom monologue from The Merchant of Venice, but we made it.  

Then we shifted to looking at the flow of argument in the speech.  I pulled in the basic list of topics from Andrew Kern's Lost Tools of Writing.  We also found a couple more figures of speech: simile and metonymy.  

The younger kids have been working on copywork while the older are beginning a writing assignment.  They have to come up with a conflict (from a book or film) and step into the shoes of one of the characters and write a speech, letter, or persuasive essay based on the passage we've been studying.  Nathan chose a situation from a book he's writing.  Judith chose Cars, the conflict between Lightning McQueen's self-centered desire for fame and Sally's desire for him to help her save the community of Radiator Springs.  Benjamin got a bit stuck, so I chose The Patriot for him, the conflict between Lord Cornwallis's desire to defend civilization from the rebels against the king's authority and Tavington's desire for personal advancement by any means available.  

These may not seem like conflicts of opposites, but that's part of how Portia approached Shylock's request for 'justice' (which was really personal vengeance dressed up pretty).  She placed mercy over against justice and showed how mercy really is the greater virtue.  

The little ones still seem to be listening in and paying attention.  This morning, as they worked on copywork, they continually asked questions about what the older kids and I discussed as we looked at the topic questions in LT.  I'm amazed at the depth of the questions I'm getting from my 10, 9, and 7 year olds.

Saturday, November 1, 2008

English, week 6 (Nov. 3-7)

Mon:
composition: 7.1 Metonymy, pp. 63-65, ex. 7.1.1, 7.1.2
grammar: read ch. 13: Adverbs

Tues:
composition: 7.2 Synecdoche, pp. 65-68, ex. 7.2.1, 7.2.2
grammar: ch. 13, ex. I

Wed:
composition: 7.3 Personification, pp. 68-70, ex. 7.3.1
grammar: ch. 13, ex. II

Thurs:
composition: Style Check 7: Freshness, pg. 71
grammar: ch. 13, ex. III

Fri:
composition: Review Questions, pp. 71-72

Saturday, October 25, 2008

English, week 5 (Oct. 27-31)

Mon:
composition: 6.1 Simile, pp. 47-51, ex. 6.1.1
grammar: read ch. 12: Adjectives

Tues:
composition: 6.2 Analogy, pp. 52-54, ex. 6.2.1
grammar: ch. 12, ex. I

Wed:
composition: 6.3 Metaphor, pp. 54-57, ex. 6.3.1, 6.3.2
grammar: ch. 12, ex. II

Thurs:
composition: 6.4 Catachresis, pp. 58-59, ex. 6.4.1
grammar: ch. 12, ex. III

Fri:
composition: Style Check 6: Demetrius on Metaphor, pp. 59-60, Review Questions
grammar: ch. 12, ex. IV

Saturday, October 18, 2008

English, week 4 (Oct. 20-24)

Mon:
composition: 5.1 Distinctio, pp. 39-41, ex. 5.1.1
grammar: read ch. 10: Exclamatory Sentences

Tues:
composition: 5.2 Exemplum, pp. 41-42, ex. 5.2.1
grammar: ch. 10, ex. I

Wed:
composition: 5.3 Amplification, pp. 42-43, ex. 5.3.1
grammar: ch. 10, ex. II

Thurs:
composition: 5.4 Metanoia, pp. 43-45, ex. 5.4.1, 5.4.2
grammar: read ch. 10 summary

Fri:
composition: Style Check 5: Clear vs. Opaque Writing, pp. 45-46, Review Questions
grammar: read ch. 11: The Parts of Speech

Saturday, October 11, 2008

English, week 3 (Oct. 13-17)

Mon:
composition: 4.1 Metabasis, pp. 29-30; ex. 4.1.1
grammar: ch. 8, ex. III

Tues:
composition: 4.2 Procatalepsis, pp. 30-32; ex. 4.2.1
grammar: read ch. 9: Imperative Sentences

Wed:
composition: 4.3 Hypophora pp. 33-35; ex. 4.3.1
grammar: ch. 9, ex. I

Thurs:
composition: Style Check 4: Transitions of Logic, pp. 35-36
grammar: ch. 9, ex. II

Fri:
composition: Ch. 4 Review, pg. 37
grammar: ch. 9, ex. III

Saturday, October 4, 2008

English, week 2 (Oct. 6-10)

Mon:
composition: 3.1 Irony, pp. 21-22; ex. 3.1.1
grammar: ch. 6, ex. II

Tues:
composition: 3.2 Understatement, pp. 22-24; ex. 3.2.1
grammar: read ch. 7: Kinds of Sentences

Wed:
composition: 3.3 Litotes, pp. 24-25; ex. 3.3.1
grammar: read ch. 8: Interrogative Sentences

Thurs:
composition: 3.4 Hyperbole, pp. 26-27; ex. 3.4.1; Style Check 3: Emphatic Positioning
grammar: ch. 8, ex. I

Fri:
composition: Chapter 3 Review, pp. 27-28
grammar: ch. 8, ex. II

Saturday, September 27, 2008

English, week 1 (Sept. 29-Oct. 3)

Mon:
composition: 2.2 Asyndeton, pp. 12-14; ex. 2.2.1, 2.2.2
grammar: read ch. 5: Complete & Simple Subject & Predicate
spelling: Level C, lesson 1, Day 1

Tues:
composition: 2.3 Polysyndeton, pp. 14-15; ex. 2.3.1, 2.3.2
grammar: ch. 5, ex. I
spelling: Level C, lesson 1, Day 2

Wed:
composition: 2.4 Expletive, pp. 15-18; ex. 2.4.1, 2.4.2
grammar: ch. 5, ex. II
spelling: Level C, lesson 1, Day 3

Thurs:
composition: Style Check 2
grammar: ch. 6: The Copula 'Is'
spelling: Level C, lesson 1, Day 4

Fri:
composition: Ch. 2 Review questions, pg. 19
grammar: ch. 6, ex. I
spelling: Level C, lesson 1, Day 5: Dictation